Laura Paolini's Art Website
  • Recent Work
    • While Supplies Last (2025)
    • Score of Scores (Theirs, Yours, Mine) 2023
    • Cloche (2022)
    • Text Me When You Get Home (2021)
    • Footage (2021)
    • Documentation Study (It's Like Talking To A Wall) (2021)
    • It's Like Talking To A Wall (2021)
    • The Heart is An Organ That Pumps Blood (2020)
    • Documentation Study (Make Your Bed) 2020
    • Make Your Bed (2020)
    • Three Weeks In Quarantine (2020)
    • Shell Scene And Fountain Scene (2020)
    • Getting Out of Bed (2019)
    • Sitting in a Chair (2019)
    • Helsinki Performance (2015)
  • OLDER WORK
    • Onnenkissat (2015)
    • Optimism (2012)
    • I'm Tired Of Being Fucked (2011)
    • Untitled (Of Mice and Men Revisited) 2010
    • Bell Payphone Labs (2008 - 2010)
    • Crocodile Tears(Crying Cat) 2007-2010
    • Instant Gratification (2008)
    • Blowing Hot Air (2007-2010)
    • Going Down (2008)
  • NEWS
  • Bio/Contact
  • Thank yous

Cloche (2022)

Picture
This work was produced through The European Cultural Centre’s performance art workshops. During the summer intensive, I was given the opportunity to respond to Maya Deren’s film Meshes of the Afternoon (1943). While studying the film, I was drawn to the use of doubling and reflection Deren achieved through camera techniques, as well as her use of mirrors. As a response, I mimicked gestures from the film and used glass cloche jars to replicate particular scenes and props. Using the jars with the glass table created evocative shadows and reflections. The resulting work is an exploration using objects of the same material (glass) to warp, frame and shape the perception of the performing body.
Recent Screenings:
  •  “The Poetic Image - Performance Based Filmmaking.” A group exhibition hosted by ECC Performance Art VR Gallery. January 27 2023 - January 25 2024.  Online. 

Length: 29:00 minutes (with credits)

 Contact Vtape for distribution directly: Wanda vanderStoop wandav@vtape.org

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